Skip to main content

Ascension Props - Armor, Monsters and Giant Robots!

Meet Matthew of Ascension Props. This master of the EVA foam craft has been cosplaying for about five to seven years, claiming that the elaborate foam armor and similar work has just been int he past four years. EVA foam is a type of anti fatigue mat used in workshops. While it does very well in keeping your feet comfortable on a work-space floor, it also is a great material for making armor in cosplay.

Matt in his Commander Shepherd, Terminus Armor: Mass Effect Photo by the Duchess Nivi-Nichole 

Matt's skills with EVA range from armor making, robots builds, and giant monsters. He makes sure to spend his time wisely on projects and works very hard to make sure everything works. His latest work, Threshy from Mass Effect, was actually a team build. Team collaborations can be tough to work with but with the right people, epic things happen. In the case of Matt and Threshy, lots of epic happened and they were able to display the great beast at Dragon Con 2015.

Thresher from Mass Effect
Head made by Ascension Props
Body made by Keelah Monster Cosplay
Funded by the N7 Elite
Coordinated by Rebel Among the Stars Studio
Handlers/Puppeteers: Ryan McKannan, Alonzo Muncy, Chase Norton, Kate Whitmire, Matthew Shadix, Jesse Fisher, Heather Stovall, Robert Meza
Photo by EGO Photography

Matt's positive attitude and encouragement when it comes to trying something new is infectious. He really is a great role model and wonderful person to ask many questions to about armor and big monster making.

Where to find Ascension Props:
Facebook
Ascension Props Website

Don't forget! It is an odd numbered month, which means Ascension Props is also the centerfold for Utah Geek Magazine! Check here for the magazine online and read about Matt's Top 5 Tips for working with EVA Foam. Local to Northern Utah? The magazine can be found at comic book stores and other geeky avenues.

Interview with Ascension Props

How long have you been cosplaying?

Already with the hard questions! I've been cosplaying for around five to seven years, though I've only really been big into it with the elaborate armors and things for about four years.

Matt in his Commander Shepherd, Terminus Armor: Mass Effect. Photo by the Duchess Nivi-Nichole 

Did you have your skill set for EVA foam work and armor making before starting cosplay? If not, are you self-­taught?

I would say I'm more self-­taught, if you can call researching everything thanks to the wonders of the internet that. I actually had never worked with foam of any kind until my very first armor set back in 2012. It was the release of the third Mass Effect game, and I wanted to make an armor set from the game for the midnight release party, so I looked up a bunch of other people who had built sets of their
 own and learned from them. After wearing it that night, there were a ton of improvements I wanted to make to it, and everything just exploded out from there.

Threshy being attacked!
Photo by Laura Ducros, Rebel Among the Stars Studios
Fun Note: Mark Meer, voice of male Commander Shepard, is the Vorcha on the right!

Who are your biggest inspirations?

I follow so many people right now that it's hard to narrow it down! The two big names that really got me wanting to make more and more at the beginning were Harrison at Volpin Props and Bill at Punished Props, both for their own Mass Effect armor and crazy cool prop making skills (and especially since Bill does a lot of foam stuff like me). Eventually following Bill led me to Will at WM Armory, who also does some super amazing stuff with foam.

More recently I've really been following the work of Evil Ted Smith, who does a ton of movie stuff (including that big cannon that Bennedict Cumberbatch swung around in the Star Trek film Into Darkness), and Ted Haines, who does some amazing foam fabrication for films as well.

What has been the toughest build you have ever made?

Ooh, that's a toughie. Every build has its issues, from space necessities, to fumes, to the ever stubborn piece not wanting to bend just right to glue down. While Threshy may have been the biggest I've ever made – and he was definitely stubborn in so many ways – I'd have to say that the Giant Robot build was the toughest. I had six weeks to figure out how to reverse engineer the robot that the Stan Winston School and Legacy Effects made for San Diego Comic Con, with extremely limited tools and lower quality supplies, and make everything pretty much freehand unlike many of my other builds where I have some sort of pattern already. I also had major issues transporting him around, and even though I finished him with time to spare for the convention, several of his parts did not make it there. Huge hit though!

Giant Robot - Original Creation
Photo by Unparallel Photography

Prop making, armor builds, and massive monsters/robots – which part is your favorite?

Honestly, I love all three! I've always loved building things with my own two hands, though the furthest I ever got were small things in Cub Scouts or putting together store ­bought furniture kits. Actually designing and building a set of armor or a prop really brings it all together, and the feeling of fulfillment and accomplishment after completing it is the greatest – every single time.

The best part though, is when I wear the builds at conventions and see all the people get excited about it! Some love to see their favorite character made real, others love the craftsmanship, and still others are fellow fans dressed from the same universe and suddenly instant group! I always love watching people get excited over something I've made. Makes it all worth it in the end!

M8 Avenger prop build - made out of EVA foam or floor mats!
Photo by Matt

How long did it take you to build Threshy with your group?

Threshy was definitely my craziest build, if not the toughest. Overall, he took about six hundred hours of actual build time, not to mention all the research time I spent on him. His body, made by Keelah Monster Cosplay, took about 25­-30 hours. All of this happened over the course of two months.

What was it like collaborating with a team to build him?

Honestly it was a blast, though we built our portions entirely on our own. Since we're at opposite ends of the country, we contacted each other as much as we could for measurements and the like, and thankfully it all worked out wonderfully in the end!

Matt in his workshop

Would you do it again?

In a heartbeat! Though, admittedly, it would be much easier to do such a large collaboration with people who live more locally. That way we could actually bring the parts together easier for testing. Threshy's head and body came together perfectly in the end, but it was a big worry up until we were able to get them put together literally right at the Dragon Con parade!

What advice do you have beginners who want to try EVA foam in their costume or prop builds?

Go out and do it! Foam comes in various thicknesses, and you can combine it with other mediums very easily (Kamui Cosplay uses craft foam, which is literally the same stuff but thinner, as a wedge inside of her Worbla builds to add depth and strength). It takes hits well (though your paint job might not), so it works great at conventions – though be warned that it gets hot. All in all though, try it out! If you've wanted to make something for a while but you're not sure where to start, pick up some foam and go at it. It's a great primer to the world of cosplay!

Fantasy Helmet, original design by Matt
Made of floor mats, craft foam, and yarn
Thank you Matt! You have inspired me to try EVA foam again. That stuff is really fun to mess with! Thanks for reading! - VFire

Comments

Popular posts from this blog

How to Make Auron's Blade - The Cosplay Armory

As promised, James of the Cosplay Armory shares his knowledge on how to make Auron's Katana from the game, Final Fantasy X. I have been very excited for this as I followed his page as he worked on the blade. I hope you enjoy it! - VFire


Auron's Katana Build by James

A note before I start. I will be mentioning the use of several machines that I have the luxury of having in my shop that I am well aware not everyone has. This project is definitely easier with them than without but everything I describe can be done without them or with simpler tools. I will also include steps that I do that are not necessary in parenthesis()

I was commissioned to build the Auron Katana by Lolita Zombie Cosplay and knew immediately that I wanted it to be light, yet durable. The first step to building any prop is figuring out what you’re going to make it out of. A lot of prop makers use light woods like poplar and MDF and while I have used some wood I decided it would be my first sword that I built e…

Ep. 010 - Cosplay Contests 101

This episode will be the first in a series. The series will start in a few weeks as we get through some old episodes, but we wanted to get some hype going and get questions brewing about cosplay contests. This first episode covers some basics and questions/answers from cosplayers in our community.


We hope this summary episode gives everyone a good idea of how to prep for a contest and what to expect if you have never heard of one before.

Thank you for listening. We are loving the feedback and Horror Stories. You all rock!
- The Stitch and Seam Team

Ep. 009 - The Cosplay Golden Rule

This week we go more in depth about cosplay, consent, and bullying in our community. Our community should be uplifting and encourage creativity and here is how to do it!

If you are being bullied or just need a bit of sunshine in your life, message us at the cosplay stitch and seam and we will shower you in happy messages!












Also, share your horror stories at CosplayStichAndSeam @ gmail.com or send a request/question and you may hear it on the podcast. You might even inspire an entire episode.

Stay tuned to the end to hear a question from Zerelixon in Norway on cosplay judging! Thank you Zerelixon for submitting such a good question!!



Music by Maycey Roberts
Sound Editing by David Jeffress